Let’s define some terms to help explain this one. Petrarch, in the fourteenth century, raised the sonnet to its greatest Italian perfection and so gave it, for English readers, his own name. The sonnet as a form developed in Italy probably in the thirteenth century. Emphasis is placed on exactness and perfection of expression. The more or less set rhyme patterns occurring regularly within the short space of fourteen lines afford a pleasant effect on the ear of the reader, and can create musical effects. Its definite restrictions make it a challenge to the artistry of the poet and call for all the technical skill at the poet's command. The Spenserian sonnet combines the Italian and the Shakespearean forms, using three quatrains and a couplet but employing linking rhymes between the quatrains, thusĬertain qualities common to the sonnet as a form should be noted. So, the normal rhyme-scheme for the English sonnet is: This sonnet has four divisions: three quatrains (each with a rhyme-scheme of its own) and a rhymed couplet. The English (Shakespearean) sonnet is really different from the Italian (though it grew from that form) as to permit of a separate classification. A sonnet is a poem of 14 lines, usually in Iambic pentameter, 3 sets of 4 quatrains with a couplet at the end.
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